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    #76
    Ο Χριστός στις Τέχνες

    Ο Χριστός στις Τέχνες
    Το Πρόσωπο του Χριστού


    Flagellation of Christ. c.1606-1607.
    Oil on canvas. Musée des Beaux-Arts, Rouen, France.


    Caravaggio
    (Michelangelo Merisi)
    (1573-1610)

    Caravaggio was an Italian baroque painter who was the best exemplar of naturalistic painting in the early 17th century. His use of models from the lower classes of society in his early secular works and later religious compositions appealed to the Counter Reformation taste for realism, simplicity, and piety in art. Equally important is his introduction of dramatic light-and-dark effects—termed chiaroscuro—into his works.

    Originally named Michelangelo Merisi, Caravaggio was born September 28, 1573, in the Lombardy hill town of Caravaggio, from which his professional name is derived. He may have spent four years as apprentice to Simone Peterzano in Milan before going to Rome in 1593, where he entered the employ of the Mannerist painter Giuseppe Cesari, also known as the Cavaliere d'Arpino, for whom he executed fruit and flower pieces (now lost). Among his best-known early works are genre paintings (scenes from everyday life) with young men—for example, The Musicians (1591?-1592, Metropolitan Museum, New York City)—which were done for his first important patron, Cardinal Francesco del Monte. Scenes such as the Fortune Teller (1594, versions in the Louvre, Paris, and the Museo Capitolino, Rome) were especially appealing to the artist's followers.


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      #77
      Ο Χριστός στις Τέχνες

      Ο Χριστός στις Τέχνες
      Το Πρόσωπο του Χριστού


      The Flagellation of Christ. 1607.
      Oil on canvas. Museo di Capodimonte, Naples, Italy.


      Caravaggio
      (Michelangelo Merisi)
      (1573-1610)

      Caravaggio was an Italian baroque painter who was the best exemplar of naturalistic painting in the early 17th century. His use of models from the lower classes of society in his early secular works and later religious compositions appealed to the Counter Reformation taste for realism, simplicity, and piety in art. Equally important is his introduction of dramatic light-and-dark effects—termed chiaroscuro—into his works.

      Originally named Michelangelo Merisi, Caravaggio was born September 28, 1573, in the Lombardy hill town of Caravaggio, from which his professional name is derived. He may have spent four years as apprentice to Simone Peterzano in Milan before going to Rome in 1593, where he entered the employ of the Mannerist painter Giuseppe Cesari, also known as the Cavaliere d'Arpino, for whom he executed fruit and flower pieces (now lost). Among his best-known early works are genre paintings (scenes from everyday life) with young men—for example, The Musicians (1591?-1592, Metropolitan Museum, New York City)—which were done for his first important patron, Cardinal Francesco del Monte. Scenes such as the Fortune Teller (1594, versions in the Louvre, Paris, and the Museo Capitolino, Rome) were especially appealing to the artist's followers.


      Comment


        #78
        Ο Χριστός στις Τέχνες

        Ο Χριστός στις Τέχνες
        Το Πρόσωπο του Χριστού


        The Betrayal of Christ. 1602-1603.
        Oil on canvas. National Gallery of Ireland, Dublin, Ireland.


        Caravaggio
        (Michelangelo Merisi)
        (1573-1610)

        Caravaggio was an Italian baroque painter who was the best exemplar of naturalistic painting in the early 17th century. His use of models from the lower classes of society in his early secular works and later religious compositions appealed to the Counter Reformation taste for realism, simplicity, and piety in art. Equally important is his introduction of dramatic light-and-dark effects—termed chiaroscuro—into his works.

        Originally named Michelangelo Merisi, Caravaggio was born September 28, 1573, in the Lombardy hill town of Caravaggio, from which his professional name is derived. He may have spent four years as apprentice to Simone Peterzano in Milan before going to Rome in 1593, where he entered the employ of the Mannerist painter Giuseppe Cesari, also known as the Cavaliere d'Arpino, for whom he executed fruit and flower pieces (now lost). Among his best-known early works are genre paintings (scenes from everyday life) with young men—for example, The Musicians (1591?-1592, Metropolitan Museum, New York City)—which were done for his first important patron, Cardinal Francesco del Monte. Scenes such as the Fortune Teller (1594, versions in the Louvre, Paris, and the Museo Capitolino, Rome) were especially appealing to the artist's followers.


        Comment


          #79
          Ο Χριστός στις Τέχνες

          Ο Χριστός στις Τέχνες
          Το Πρόσωπο του Χριστού


          Ecce Homo. c.1600.
          Oil on canvas. Palazzo Rosso, Genoa, Italy.


          Caravaggio
          (Michelangelo Merisi)
          (1573-1610)

          Caravaggio was an Italian baroque painter who was the best exemplar of naturalistic painting in the early 17th century. His use of models from the lower classes of society in his early secular works and later religious compositions appealed to the Counter Reformation taste for realism, simplicity, and piety in art. Equally important is his introduction of dramatic light-and-dark effects—termed chiaroscuro—into his works.

          Originally named Michelangelo Merisi, Caravaggio was born September 28, 1573, in the Lombardy hill town of Caravaggio, from which his professional name is derived. He may have spent four years as apprentice to Simone Peterzano in Milan before going to Rome in 1593, where he entered the employ of the Mannerist painter Giuseppe Cesari, also known as the Cavaliere d'Arpino, for whom he executed fruit and flower pieces (now lost). Among his best-known early works are genre paintings (scenes from everyday life) with young men—for example, The Musicians (1591?-1592, Metropolitan Museum, New York City)—which were done for his first important patron, Cardinal Francesco del Monte. Scenes such as the Fortune Teller (1594, versions in the Louvre, Paris, and the Museo Capitolino, Rome) were especially appealing to the artist's followers.


          Comment


            #80
            Ο Χριστός στις Τέχνες

            Ο Χριστός στις Τέχνες
            Το Πρόσωπο του Χριστού


            The Deposition, 1604,
            Pinacoteca Vaticana at Rome.


            Caravaggio
            (Michelangelo Merisi)
            (1573-1610)

            Caravaggio was an Italian baroque painter who was the best exemplar of naturalistic painting in the early 17th century. His use of models from the lower classes of society in his early secular works and later religious compositions appealed to the Counter Reformation taste for realism, simplicity, and piety in art. Equally important is his introduction of dramatic light-and-dark effects—termed chiaroscuro—into his works.

            Originally named Michelangelo Merisi, Caravaggio was born September 28, 1573, in the Lombardy hill town of Caravaggio, from which his professional name is derived. He may have spent four years as apprentice to Simone Peterzano in Milan before going to Rome in 1593, where he entered the employ of the Mannerist painter Giuseppe Cesari, also known as the Cavaliere d'Arpino, for whom he executed fruit and flower pieces (now lost). Among his best-known early works are genre paintings (scenes from everyday life) with young men—for example, The Musicians (1591?-1592, Metropolitan Museum, New York City)—which were done for his first important patron, Cardinal Francesco del Monte. Scenes such as the Fortune Teller (1594, versions in the Louvre, Paris, and the Museo Capitolino, Rome) were especially appealing to the artist's followers.


            Comment


              #81
              Ο Χριστός στις Τέχνες

              Ο Χριστός στις Τέχνες
              Το Πρόσωπο του Χριστού


              Supper in Emmaus,
              Pinacoteca di Brera, Milan.


              Caravaggio
              (Michelangelo Merisi)
              (1573-1610)

              Caravaggio was an Italian baroque painter who was the best exemplar of naturalistic painting in the early 17th century. His use of models from the lower classes of society in his early secular works and later religious compositions appealed to the Counter Reformation taste for realism, simplicity, and piety in art. Equally important is his introduction of dramatic light-and-dark effects—termed chiaroscuro—into his works.

              Originally named Michelangelo Merisi, Caravaggio was born September 28, 1573, in the Lombardy hill town of Caravaggio, from which his professional name is derived. He may have spent four years as apprentice to Simone Peterzano in Milan before going to Rome in 1593, where he entered the employ of the Mannerist painter Giuseppe Cesari, also known as the Cavaliere d'Arpino, for whom he executed fruit and flower pieces (now lost). Among his best-known early works are genre paintings (scenes from everyday life) with young men—for example, The Musicians (1591?-1592, Metropolitan Museum, New York City)—which were done for his first important patron, Cardinal Francesco del Monte. Scenes such as the Fortune Teller (1594, versions in the Louvre, Paris, and the Museo Capitolino, Rome) were especially appealing to the artist's followers.


              Comment


                #82
                Ο Χριστός στις Τέχνες

                Ο Χριστός στις Τέχνες
                Το Πρόσωπο του Χριστού


                The Nativity with Saints Francis and Lawrence. .


                Caravaggio
                (Michelangelo Merisi)
                (1573-1610)

                Caravaggio was an Italian baroque painter who was the best exemplar of naturalistic painting in the early 17th century. His use of models from the lower classes of society in his early secular works and later religious compositions appealed to the Counter Reformation taste for realism, simplicity, and piety in art. Equally important is his introduction of dramatic light-and-dark effects—termed chiaroscuro—into his works.

                Originally named Michelangelo Merisi, Caravaggio was born September 28, 1573, in the Lombardy hill town of Caravaggio, from which his professional name is derived. He may have spent four years as apprentice to Simone Peterzano in Milan before going to Rome in 1593, where he entered the employ of the Mannerist painter Giuseppe Cesari, also known as the Cavaliere d'Arpino, for whom he executed fruit and flower pieces (now lost). Among his best-known early works are genre paintings (scenes from everyday life) with young men—for example, The Musicians (1591?-1592, Metropolitan Museum, New York City)—which were done for his first important patron, Cardinal Francesco del Monte. Scenes such as the Fortune Teller (1594, versions in the Louvre, Paris, and the Museo Capitolino, Rome) were especially appealing to the artist's followers.


                Comment


                  #83
                  Ο Χριστός στις Τέχνες

                  Ο Χριστός στις Τέχνες
                  Το Πρόσωπο του Χριστού


                  The Maestà Altarpiece,
                  detail from the predella featuring "The Adoration of the Magi", 1308-11,
                  panel painting, Museo dell'Opera del Duomo at Siena.


                  Duccio di Buoningegna
                  (approx. 1255-1319)

                  Duccio di Buoninsegna was an Italian painter, a precursor of the Renaissance style, who brought to perfection the art of medieval Italy in the Byzantine tradition.

                  Born in Siena, Duccio was the founder of the Sienese school of painting. His work, all of it religious, is characterized by sensitive drawing, skillful composition, a decorative quality akin to that of mosaic, and a more intense emotional tone than that of the Byzantine models he followed. Duccio's most famous and only signed work is the Maestà (1308-1311), a huge altarpiece painted on both sides, made for the cathedral of Siena; now most of it is displayed in the cathedral's museum.


                  Comment


                    #84
                    Ο Χριστός στις Τέχνες

                    Ο Χριστός στις Τέχνες
                    Το Πρόσωπο του Χριστού


                    Temptation on the Mount,
                    Frick Collection, New York.


                    Duccio di Buoningegna
                    (approx. 1255-1319)

                    Duccio di Buoninsegna was an Italian painter, a precursor of the Renaissance style, who brought to perfection the art of medieval Italy in the Byzantine tradition.

                    Born in Siena, Duccio was the founder of the Sienese school of painting. His work, all of it religious, is characterized by sensitive drawing, skillful composition, a decorative quality akin to that of mosaic, and a more intense emotional tone than that of the Byzantine models he followed. Duccio's most famous and only signed work is the Maestà (1308-1311), a huge altarpiece painted on both sides, made for the cathedral of Siena; now most of it is displayed in the cathedral's museum.


                    Comment


                      #85
                      Ο Χριστός στις Τέχνες

                      Ο Χριστός στις Τέχνες
                      Το Πρόσωπο του Χριστού


                      The Transfiguration, 1308-11,
                      predella, National Gallery at London.


                      Duccio di Buoningegna
                      (approx. 1255-1319)

                      Duccio di Buoninsegna was an Italian painter, a precursor of the Renaissance style, who brought to perfection the art of medieval Italy in the Byzantine tradition.

                      Born in Siena, Duccio was the founder of the Sienese school of painting. His work, all of it religious, is characterized by sensitive drawing, skillful composition, a decorative quality akin to that of mosaic, and a more intense emotional tone than that of the Byzantine models he followed. Duccio's most famous and only signed work is the Maestà (1308-1311), a huge altarpiece painted on both sides, made for the cathedral of Siena; now most of it is displayed in the cathedral's museum.


                      Comment


                        #86
                        Ο Χριστός στις Τέχνες

                        Ο Χριστός στις Τέχνες
                        Το Πρόσωπο του Χριστού


                        The Last Supper,
                        Museo dell'Opera del Duomo, Siena.


                        Duccio di Buoningegna
                        (approx. 1255-1319)

                        Duccio di Buoninsegna was an Italian painter, a precursor of the Renaissance style, who brought to perfection the art of medieval Italy in the Byzantine tradition.

                        Born in Siena, Duccio was the founder of the Sienese school of painting. His work, all of it religious, is characterized by sensitive drawing, skillful composition, a decorative quality akin to that of mosaic, and a more intense emotional tone than that of the Byzantine models he followed. Duccio's most famous and only signed work is the Maestà (1308-1311), a huge altarpiece painted on both sides, made for the cathedral of Siena; now most of it is displayed in the cathedral's museum.


                        Comment


                          #87
                          Ο Χριστός στις Τέχνες

                          Ο Χριστός στις Τέχνες
                          Το Πρόσωπο του Χριστού


                          Crown of Thorns,
                          Museo dell'Opera del Duomo, Siena.


                          Duccio di Buoningegna
                          (approx. 1255-1319)

                          Duccio di Buoninsegna was an Italian painter, a precursor of the Renaissance style, who brought to perfection the art of medieval Italy in the Byzantine tradition.

                          Born in Siena, Duccio was the founder of the Sienese school of painting. His work, all of it religious, is characterized by sensitive drawing, skillful composition, a decorative quality akin to that of mosaic, and a more intense emotional tone than that of the Byzantine models he followed. Duccio's most famous and only signed work is the Maestà (1308-1311), a huge altarpiece painted on both sides, made for the cathedral of Siena; now most of it is displayed in the cathedral's museum.


                          Comment


                            #88
                            Ο Χριστός στις Τέχνες

                            Ο Χριστός στις Τέχνες
                            Το Πρόσωπο του Χριστού


                            Crucifixion,
                            Museo dell'Opera del Duomo, Siena.


                            Duccio di Buoningegna
                            (approx. 1255-1319)

                            Duccio di Buoninsegna was an Italian painter, a precursor of the Renaissance style, who brought to perfection the art of medieval Italy in the Byzantine tradition.

                            Born in Siena, Duccio was the founder of the Sienese school of painting. His work, all of it religious, is characterized by sensitive drawing, skillful composition, a decorative quality akin to that of mosaic, and a more intense emotional tone than that of the Byzantine models he followed. Duccio's most famous and only signed work is the Maestà (1308-1311), a huge altarpiece painted on both sides, made for the cathedral of Siena; now most of it is displayed in the cathedral's museum.


                            Comment


                              #89
                              Ο Χριστός στις Τέχνες

                              Ο Χριστός στις Τέχνες
                              Το Πρόσωπο του Χριστού


                              Deposition,
                              Museo dell'Opera del Duomo, Siena.


                              Duccio di Buoningegna
                              (approx. 1255-1319)

                              Duccio di Buoninsegna was an Italian painter, a precursor of the Renaissance style, who brought to perfection the art of medieval Italy in the Byzantine tradition.

                              Born in Siena, Duccio was the founder of the Sienese school of painting. His work, all of it religious, is characterized by sensitive drawing, skillful composition, a decorative quality akin to that of mosaic, and a more intense emotional tone than that of the Byzantine models he followed. Duccio's most famous and only signed work is the Maestà (1308-1311), a huge altarpiece painted on both sides, made for the cathedral of Siena; now most of it is displayed in the cathedral's museum.


                              Comment


                                #90
                                Ο Χριστός στις Τέχνες

                                Ο Χριστός στις Τέχνες
                                Το Πρόσωπο του Χριστού


                                Burial of Christ,
                                Museo dell'Opera del Duomo, Siena.


                                Duccio di Buoningegna
                                (approx. 1255-1319)

                                Duccio di Buoninsegna was an Italian painter, a precursor of the Renaissance style, who brought to perfection the art of medieval Italy in the Byzantine tradition.

                                Born in Siena, Duccio was the founder of the Sienese school of painting. His work, all of it religious, is characterized by sensitive drawing, skillful composition, a decorative quality akin to that of mosaic, and a more intense emotional tone than that of the Byzantine models he followed. Duccio's most famous and only signed work is the Maestà (1308-1311), a huge altarpiece painted on both sides, made for the cathedral of Siena; now most of it is displayed in the cathedral's museum.


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